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Creative CommonsIn observation of IPSTP DayIn honor of International Pixel-stained Techno-peasant Day I'm releasing this new short-story on this here blog. This is a short story originally written for Matthew Wayne Selznick's sidelined Wordhouse Anthology project. The idea was to pick a song you loved and write a story that captured some of the images and feelings from the song. I wrote "Nightswimming" based on the R.E.M. song. The story is hosted at Scribd. It's released under the usual terms.
Tor Book Program a nice taste of freedomToday's free TOR book is "Farthing." Go, click on that link and sign up and get a copy right now. You won't regret it. It's a great book. Anyway, TOR's free books thing is really cool. It's aways nice to get a copy of a free, DRM free book to have a look at and play with, however, Patrick Nielson Hayden pulled back hard on the emergency lever of the speculation train that Tor might be releasing it's whole catalog as such.
Frankly, this stinks of the kind of PR Blunder the likes of Harley Davidson's Secret 100th anniversary headliner. Oh, ok. Maybe not that bad. But still bad. Look, Tor, you can't put the Genie back in the bottle. You've given us a taste of free, awesome, award winning books. Don't stop. Keep it going. Make it bigger. Offer your free, awesome award winning books under more and better terms. Add a creative-commons blessing. Let your fans enjoy your work. There is evidence that authors can make careers out of giving away free books. I believe publishers can to.
Nine inch so what?So, Nine Inch Nails is getting all the love these days. Nine Inch Nails offers it's latest album, Ghosts I-IV, under a Creative Commons license. The media reported, servers crashed, lavish "collector" copies of the album were scooped up by people with far too much disposable cash. NIN's site claims that the download is 36 tracks, but I only got 9. BoingBoing's; coverage suggests that all 36 tracks are available as remixes, and maybe they are, but not by clicking on "downloads" at NIN's site. This is being heralded as a victory for "free music;" the mainstream media is glomming on to the idea that you can make a profit from giving your content away. JoCo would be turning over in his grave, only he's not dead. And Trent's not giving his content away. If you want to hear Ghosts II-IV, you've got to buy them. Or download them from someone else. But given the morose instrumental nature of Ghosts I (one BoingBoing commenter called it 'edgy elevator music'), why bother?
There are basically two things wrong with the Ghosts I-IV story. First, The nine tracks I've downloaded are only marginally ok at best, and if NIN were really embrasing the copyleft, why not make the entirety of the NIN catalog available? I could get into a free copy of Pretty Hate Machine. It's not like I didn't buy it once already anyway. I'm happy for the increase in CC-awareness amongst Rock and Roll superstars, and, even though I've outgrown Nine Inch Nails, I want this venture to be successful for them.
Dear Mr. Pete and everyone invlovedDear Mr. Pete, et. all. Someone send me the MP3 and I'll host it right here. And so there's no question about the license, I hereby designate any and all of my Jott recordings, including those I may make in the future, under a Creative Commons Sampling+ license. Edit:
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